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I write horror that lives close to ordinary life—where fear builds quietly, routines fracture, and something familiar begins to feel wrong. My work leans toward psychological and dystopian tension, but it’s grounded in people: how they endure, adapt, and sometimes fail when the world around them shifts.

The horror often emerges slowly rather than explosively, shaped by atmosphere, restraint, and the moments we try hardest to ignore. Long-form fiction is currently in active development.